For
many pianists, whether beginners or professionals, improvisation can be
very daunting and overwhelming. People who are good at it sound
wonderful, and people who don’t quite get it can sound really
terrible. The problem is, how can you approach jazz improvisation
without being afraid or feel overwhelmed by the many concepts?
Improvisation is about feeling, emotions, music. It really should not
have to be a complicated puzzle of theory knowledge and deep thinking
and analyzing. Here, we will attempt to break down the barriers of jazz
improvisation and make it accessible to all.
In the decade we now live in, we have universities, music schools and
colleges are putting the emphasis on their renowned jazz music study
programs which includes countless theory classes and improvisation
workshops that all seems to be reserved to the musical elite of the
young generation. This, by itself, scares most new piano players. How
can they start improvising and possibly be good at it if they
aren’t even part of one of those established jazz study
programs? Let’s go back to where it all started.
Back in the early 1900’s up to the 1950’s,
America
has seen the jazz scene expand and explode with many influential
musicians such as Miles Davis, John Coltrane, Bill Evans and many more.
Did those incredible jazz artists attend a reputable school and studied
extensively before even starting to improvise? No. It came naturally to
them; after listening to jazz records and toying around with their
respective instruments, those jazz masters eventually started
improvising themselves and creating melodies, solos and chord
progressions that sounded good to them. The more they played, the
better they became and the more polished their improvisational skills
became.
Improvising is all about playing what you hear. Many beginner jazz
pianists are highly encouraged to try and sing an improvised solo. If
you have any sort of musical ear, your will be inclined to sing notes
that somehow fit in the harmonic context or derive from it in a very
interesting way; your ears will rarely lead you on notes that you
consider ‘wrong’. Sing over a chord progression,
and try to play back what you just sang on the piano. This will help
you understand what you are hearing and what comes naturally to you
when you sing.
Another great starting point for novice players wishing to get into
improvisation is to transcribe solos and learn how to play them. Pick a
simple solo – Wynton Kelly’s solo on Freddie
Freeloader certainly is a classically simple yet powerful piano
improvisation that you can transcribe on paper and learn how to play
yourself. This will help you understand how master pianists phrase
their ideas and produce them in a musical context.
All in all, there needs to be some sort of basic theory knowledge for
anyone to develop advanced improvisational skills – but you
can certainly start discovering the wonderful world of jazz
improvisation right now. It’s all about your ears and what
you are feeling. Sit at the piano, place your hands on the ivory keys
and try something. There’s no one there to judge you and the
more you try, the better you’ll get.
We would like to put you in touch with something that can really reduce
this whole idea of piano improvisation to something you can get a grasp
on in a matter of minutes. As a matter of fact, you don't even have to
be a pianist to take advantage of this. Minutes? You read that right...
Less than 10 minutes from right now, you can have a learning tool in
your hands that will have you improvising by tonight. Get rid of any
past notions that improvisation is something beyond your reach. Think
of a favorite tune of yours that you enjoy playing. You'll be taking
that melody and turning it into something that will turn heads in the
room. You'll be amazing yourself, too. Use this tool,which consists of
an easy-to-understand guidebook and video demonstration, and those
"improvisational sparks" flying off your fingertips will have you
wondering why it took you so long to realize something so simple, yet
so effective...
- No
reading of music notation necessary
- Video
demonstration & guidebook make it crystal clear
- No
experience with improvisation necessary at all
- No
scales ~ no chords ~ no patterns to learn here
- Turn
your most overplayed melodies into spicy improvisations that will turn
heads
- Amaze
yourself with your inner creative ability that has been there all this
time
- No
tedious reading or studying
- Guidebook
and video are brief and to the point, leaving you at the controls with
confidence
- Very
encouraging and motivating
- Never
look at playing those songs the same way again
Learn how to
immediately gain access to this popular online learning duo that
puts you in the driver's seat when it comes to creating your own
improvisations in a matter of minutes. Learn more by filling out the
form below and be improvising before you go to sleep tonight...
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""Hi Dave, You are a
genius! I have just been playing with
your latest improvisation package and within about 15 minutes
have the idea and the vision of the potential it can unlock.
I have struggled with books and discs and teachers to get
somewhere, but without success. Often it is a communication
problem. You are a wonderful communicator and teacher.
I am empowered... Thank you soooooooooooo much."
Very best wishes..."
Susan, United Kingdom

LEARN HOW TO TWEEK, TWIST, &
TURN THOSE MELODIES INTO SUPER SOUNDING IMPROVISATIONS THAT WILL CAUSE
JAWS TO DROP AT YOUR NEXT GET-TOGETHER...
(surprise
yourself, too!)
Simply
fill in your first name and best email address and you'll learn
how to start this popular program immediately!
We
take your privacy very seriously.
Your information is never sold or shared.
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